EXAMINATION OF THE CHARACTER OF THE KING AS A REPRESENTATION OF POWER AND AUTHORITY IN “TOO DEAR” - II PU ENGLISH - SOLVED ASSIGNMENTS /PROJECTS - TITLES - 2024-2025

 


EXAMINATION OF THE CHARACTER OF THE KING AS A REPRESENTATION OF POWER AND AUTHORITY IN “TOO DEAR”

Introduction

Leo Tolstoy’s short story “Too Dear” is a satirical examination of governance, power, and the practical dilemmas that arise when authority encounters the limitations of human systems. Set in a fictional small kingdom, the narrative follows the king and his government as they struggle with a unique problem—a condemned criminal who they find too expensive to execute or imprison for life. The king, as the central figure of authority, is both the literal ruler of the kingdom and a symbolic representation of power and leadership. His actions, decisions, and the way he navigates challenges in the story offer a commentary on how power and authority are exercised within institutional and moral constraints.

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In this essay, the king's character will be analyzed in depth as a representation of power and authority. By examining his decisions, moral reasoning, and interactions with his subordinates, the story’s broader themes of governance, justice, and the cost of maintaining power are explored. The king’s leadership offers a nuanced critique of political systems, and through his character, Tolstoy presents a parable on the absurdity of bureaucracy and the limits of sovereign authority.

The King's Role as the Head of a Small but Absolute Monarchy

In “Too Dear”, the king presides over a small, seemingly inconsequential kingdom. Despite its size, his authority is absolute, and he has the final say in all governmental matters. The story begins with the description of this small kingdom that is well-governed, has modest resources, and enjoys relative peace. However, its small size presents challenges for the king when faced with extraordinary situations.

The character of the king is established as one who is used to exercising authority with efficiency and pragmatism. He commands respect from his subjects and his council, and there is little evidence of rebellion or discontent. However, Tolstoy introduces the king as a figure whose authority is not only dependent on his position but also constrained by the resources and practical limitations of his small domain. Unlike monarchs of larger, wealthier nations, the king must govern with an acute awareness of the financial constraints of his kingdom.

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From the outset, the king’s authority seems well-grounded in the principles of practicality. He does not indulge in displays of excess power but instead focuses on maintaining stability and ensuring the efficient functioning of the kingdom. This image of a rational and practical ruler is essential to the story’s development, as it underscores the contrast between the king’s intentions and the absurdity of the situation he later faces.

The King's Decision-Making Process: Power versus Pragmatism

The primary challenge that the king faces in the story revolves around the problem of a condemned criminal. The criminal has committed murder and is sentenced to death. However, when the kingdom's government calculates the cost of carrying out the execution, they find that it is prohibitively expensive. The king is informed that constructing a guillotine and hiring an executioner from a neighboring country would exceed the kingdom’s budget.

This dilemma is central to the story's exploration of power. In a traditional monarchy, the king’s authority would grant him the power to enforce the law without consideration for financial constraints. However, the small size and limited resources of the kingdom force the king to grapple with the practical consequences of his power. His authority is undermined by the reality that enforcing justice, in this case, is simply too expensive.

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Tolstoy uses this scenario to illustrate the tension between the idealized concept of sovereign power and the actual limitations imposed by material conditions. The king’s decision-making process is no longer solely about justice or the enforcement of the law; it becomes a question of cost-efficiency. This shift in focus from moral or legal principles to financial considerations highlights the absurdity of bureaucracy and governance when they are reduced to calculations of cost.

The king’s initial solution to the problem—postponing the execution in favor of imprisonment—seems pragmatic. However, this decision only leads to further complications. The kingdom does not have a suitable prison, and maintaining the prisoner at the expense of the state becomes a long-term financial burden. Once again, the king’s authority is challenged by the practical realities of governing a small state.

The King's Representation of Bureaucratic Power

As the story progresses, the king becomes a representation of bureaucratic power, caught in a web of procedures, rules, and financial limitations. His inability to find a straightforward solution to the problem of the condemned criminal illustrates the inefficiencies inherent in bureaucratic systems. Tolstoy’s portrayal of the king highlights how even the most absolute power can be rendered ineffective by the machinery of governance.

In many ways, the king is a figurehead, a ruler whose authority is more symbolic than practical. Despite his power, he is bound by the same institutional constraints as his ministers and advisors. His initial decisions—whether to execute the criminal or imprison him—are subject to the approval and implementation of others, and each course of action is complicated by layers of bureaucracy. The king’s role becomes one of mediation rather than decisive action, and his authority is diluted by the system in which he operates.

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This depiction of the king resonates with Tolstoy’s broader critique of government and institutional power. In “Too Dear”, Tolstoy satirizes the inefficiency and absurdity of modern governance, particularly when it comes to dealing with matters of justice. The king, despite his position of ultimate authority, is powerless to resolve the situation in a way that aligns with traditional notions of justice. Instead, he must navigate a series of compromises, each one more absurd than the last.

Tolstoy’s portrayal of the king as a bureaucratic figure reflects the broader theme of power as something that is contingent on systems and structures. The king’s authority is not absolute in the way it might appear; it is circumscribed by the practical limitations of governance. Through the king, Tolstoy critiques the idea that sovereign power can operate independently of the structures that support it. In reality, the king’s power is entangled in the bureaucratic processes that both sustain and undermine his authority.

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The King’s Moral Dilemma: Justice versus Compassion

The story also explores the king’s moral authority. As the head of the kingdom, the king is responsible not only for maintaining law and order but also for upholding moral and ethical principles. When the cost of the execution becomes too high, and the cost of imprisonment becomes an ongoing burden, the king faces a moral dilemma: how to deliver justice without bankrupting the state.

The king’s eventual decision to release the prisoner on a pension paid by the state is both a practical and moral compromise. On one hand, it solves the financial problem; on the other hand, it raises questions about justice. The criminal, who committed a serious crime, is essentially rewarded with a lifetime pension, which undermines the very concept of justice that the king is supposed to uphold.

This decision reflects the limits of the king’s moral authority. In an ideal world, the king would be able to carry out justice in accordance with the law, but in reality, he must balance justice with practicality. The story suggests that in the realm of governance, moral principles are often sacrificed in favor of pragmatism. The king, despite his best intentions, cannot deliver justice in the way he would like, and his authority is further diminished by the need to find a solution that is financially viable.

Tolstoy uses the king’s moral dilemma to explore the tension between justice and compassion in governance. The king’s decision to release the criminal can be seen as an act of compassion, as it spares the criminal from execution or indefinite imprisonment. However, this act of compassion comes at the expense of justice, as the criminal is not truly punished for his crime. This tension reflects the broader theme of the limitations of power and authority when they are constrained by practical realities.

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Satirical Representation of Power: The King as a Symbol of Absurdity

Ultimately, the king in “Too Dear” becomes a symbol of the absurdity of power. His inability to resolve the situation in a way that is both just and financially feasible exposes the limitations of his authority. Tolstoy uses the king to satirize the inefficiencies of government and the contradictions inherent in the exercise of power.

The absurdity of the king’s situation is highlighted by the story’s conclusion, where the criminal is released on a state pension. This outcome, which seems farcical, underscores the theme of power as something that is often divorced from practical reality. The king’s authority, which should allow him to enforce the law and deliver justice, is instead rendered impotent by the bureaucratic and financial constraints of his kingdom.

Tolstoy’s satire of the king reflects a broader critique of authority in modern society. The king, despite his position of ultimate power, is reduced to a figurehead, unable to act decisively or deliver justice in a meaningful way. His authority is undermined by the very system that he is supposed to control, and his decisions are dictated not by moral or legal principles but by practical considerations.

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Conclusion

In “Too Dear”, the character of the king serves as a representation of power and authority, but his authority is consistently challenged by the limitations of the practical world. Through the king, Tolstoy explores themes of governance, justice, and the absurdity of bureaucratic systems. The king’s inability to resolve the issue of the condemned criminal in a way that aligns with both justice and practicality reflects the broader limitations of power when it is constrained by institutional and material realities.

Tolstoy’s portrayal of the king as a figure caught between moral principles and practical considerations offers a critique of the nature of authority in modern governance. The story suggests that power, far from being absolute, is often subject to the inefficiencies and contradictions of the systems in which it operates. The king, despite his


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